LeWitt was born in 1928 in Hartford, Connecticut. At age 16, he began studying art at Syracuse University. In the late 1950s, he became interested in the idea that art could be stripped down to basics such as lines, shapes, and colors. “[My] main decision was . . . to simplify things rather than make things more complicated,” he explained.
LeWitt came to believe that the ideas behind a piece of art mattered more than the physical artwork. He saw his job as coming up with those ideas, which other artists could then execute. This made him more like an architect or a musical composer than a traditional painter, says Amanda Tobin of the Massachusetts Museum of Contemporary Art (MASS MoCA). “His work varies so much depending on who is doing the execution,” she adds. “It was a shock to the art world at the time.”